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Writers Asking Writers Questions | Gregory Hedgepeth & Danielle Elaine

 

BY GREGORY HEDGEPETH

 

Last year, we created a series of in-house interviews called Authors Interviewing Authors, where our roster traded conversations in an attempt to get to know one another as well as provide some intimate insights into the life of a fellow writer. This year, we expanded on our series, aptly renaming it Writers Asking Writers Questions and turned it into a recurring series involving established authors as well as new, unpublished writers.


Gregory Hedgepeth: What is the first book that made you cry?

Danielle Elaine: I believe the first book that made me cry was Kite Runner. I remember most vividly how that book took me through so many emotions. I loved it. I still do and recommend it. It was a lot for me. Very eye opening. I find pain so poetic.

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What is your writing kryptonite?

My writing kryptonite would definitely be deadlines. Even deadlines I give myself, I can never seem to keep. I’ve learned a lot about myself lately, and one thing that keeps coming up is fear. I’ve been running from myself, and doing “the work” for so long out of fear. Now, my challenge is pushing past the fear, running straight to the things I’ve been running from and commit to myself and that work.

 

What other authors are you friends with, and how do they help you become a better writer?

Sadly, I’m not friends with any other authors. I have friends who are creatives in other ways, we keep each other motivated by being honest with one another about our work, and ideas. We are honest about our kryptonites. Being vulnerable is truly an inspiring gift. People always ask me for advice when they want to start writing, and I always say just write. Get the words out and worry about perfect later. I live by this and Im always asking my friends to double check and edit things for me. Some writers I am inspired by push me to stretch my creativity, take my writing form, depth and vulnerability in my writing to another level. I just want to make a last impact on at least one person. I want at least one person to read my work and feel something.

 

If you could tell your younger writing self anything, what would it be?

If I could tell my younger writing self anything, it would be start now. I would tell myself don’t wait, and there is nothing to fear, however I don’t think my story would be as good if I hadn’t made some of the mistakes I made to get where I am today.

 

How did publishing your first book change your process of writing?

Publishing my first two books independently did not change my writing process, only my desire to solely do it alone. Independent marketing is hard. That saying about family and friends joining the bandwagon last is very true.

 

How many unpublished and half-finished books do you have?

LOL!!! Far too many!

 

Do you hide any secrets in your books that only a few people will find?

Yes, my novel details many experiences people would never believe. I am excited to see what people will decipher as true and fiction.

 

What one thing would you give up to become a better writer?

I would give up anything to become a better writer. I would give up fear and definitely procrastination. I’m not sure what the timeline for most writers is like, but I always feel like I’m off.

 

What is the most difficult part of your artistic process?

The most difficult part of my artistic process would be consistency and balance. Once I start writing, I take off and I’m on a roll. That’s a place I’d like to live in daily, even when I am not actively creating. Life has been such a rollercoaster, trying to pursue my passion, be a good mom, and find stability as an adult, I tend to get bogged down by it all which makes it difficult to get artsy at the end of the day.

 

Does your family support your career as a writer?

Yes and no. It’s the typical scenario: when I’m doing good they are all for it - but when I’m not, I need to “grow up”, “be realistic” etc.

 

Do you believe in writer’s block? 

Yes, I believe in writer’s block, I had it for a very long time. I think it is a subconscious unwillingness to produce for whatever reason that may vary person to person. There have been many times I wanted so badly to write, but for one reason or another I just couldn’t find the words.

 

Writing can be an emotionally draining and stressful pursuit. Any tips for aspiring writers?

My only advice is just get the words out. Don’t worry about writing rules and being perfect. That will come later. If you just get your words out, as you think and feel them, the process becomes less daunting. Also, there’s never a need to compare yourself. You would not have been given the gift or inspired creatively if you were not meant to write. You’d have the desire to do something else if there wasn't room at the writers table for you too. Don't compare yourself to others, and don't critique yourself until it’s time to edit.

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When did you first consider yourself a writer?

There was never an “aha!” moment - it was just something I always felt and knew about myself. I have always written, because I felt stifled communicating my emotions any other way. I had always wanted to be a published author, but never took my writing careers serious until I found out I was pregnant and decided to be a mom. I knew I couldn’t tell my daughter she could be and do anything, and have her believe me without having anything to show for my own dreams manifesting.

 

Are you working on anything at the present you would like to share with your readers about?

I have two projects in the works: one major and one a little less major (but not minor, lol). The latter is Fire Affirmations for Dope Women in Transition, a compilation of affirmations I have written over time, to preach to myself in hard times to push through and inspire myself. It’s for women and moms of all kinds creating space for us to be light with ourselves, to be vulnerable, to push through and execute our vision in spite of things seemingly crumbling around us. The major MAJOR project I’ve been working on for years now is A Minister’s Child, which may end up being titled Spratt Street. It is a novel based on my life and the wild things I’ve experienced. There will be tons of truth and many exaggerations as well. A Minister’s Child is an obvious title, because that is what I am. Spratt Street is part of the street address of the shelter I stayed in recently. I was there almost a year, way longer than I intended—but as you can imagine, there were some characters in there!

 

What is the most surprising thing you discovered while writing your book(s)?

The most surprising thing is how much I’ve been through, how much I’ve endured. My resilience and strength. When you’re going through tough time after tough time after tough time, you kind of keep your head down until you clear each rough patch. To look back at it all on a macro level while writing make it profound to see that I am still intact, peaceful, and happy after it all.


Gregory Hedgepeth is the editor-in-chief of Vital Narrative Press. You can follow him on Facebook, Instagram or Twitter. Feel free to follow on all three. Or maybe just two. Yeah, two’s probably good — he’s not that interesting. Gregory Hedgepeth is also the author of MISCONCEPTIONS ABOUT SUNRISES, THE YEAR THAT ANSWERED and A COLLECTION OF ECHOES. BUY THAT SHIT.